1.1 Speed in Solids
1.2 Speed in Air
1.3 Wavelength/Frequency/Velocity
1.4 Impedance
1.5 Sound Intensity Level
1.6 Sound Power Level
1.7 Sound Pressure Level
1.8 Decibel Scale
1.9 Adding correlated Sounds
1.10 Phase
1.11 Adding uncorrelated Sounds
1.12 Inverse Square Law
2.1 Superposition
2.2 Refraction
2.3 Absorption
2.4 Reflections (bounded and unbounded)
2.5 Interference
2.6 Standing waves at hard boundaries
2.7 Standing waves at other boundaries
2.7 Diffraction
3.1 Time and Frequency Domains
3.2 Fourrier theorem
3.3 Spectra of non periodic waves
3.3 Analyzing spectra
4.1 Anatomy overview
4.2 Outer Ear
4.3 Middle Ear
4.4 Inner ear
4.5 Ossicles
4.6 Cochlea
4.7 Basilar Membrane
4.8 Organ of Corti
4.9 The Place Theory
4.10 Critical Bands
5.1 Thresholds of hearing and pain
5.1 Loudness perception
5.2 Fletcher Munsen Equal Loudness contours
5.3 The Phon scale
5.4 A, B and C weighting curves
5.5 Effect of duration
5.6 Ear fatigue
5.7 Noise induced hearing loss
5.8 Protecting your hearing
5.9 Perception of direction
5.10 Interaural Time Difference
5.11 Interaural Intensity Difference
5.12 Pinna and Head movement
5.13 ITD and IID trading
5.14 The Haas Effect
5.15 Stereo
6.1 Musical Notes
6.2 Fundamental frequency
6.3 Harmonics
6.4 Calculating harmonics
6.5 Musical intervals of harmonics
6.6 Repetition pitch
7.1 Hearing Pitch
7.2 The Place theory
7.3 Problems with the Place theory
7.4 Temporal Theory
7.5 Problems with the Temporal theory
7.6 Contempoirary theory of pitch perception
7.7 Secondary aspects of pitch perception
7.8 The Doppler effect
8.1 Hearing Notes
8.2 Harmonics and the development of Western harmony
8.3 Consonance and dissonance
8.4.Hearing musical intervals
9.1 Unison tuning
9.2 Pure intervals
9.3 Octaves and intervals
9.4 Perfect 5ths
9.5 Ratios
9.6 Consonance
9.7 Pure diatonic intervals
9.8 Prime limits
9.9 Frequency
9.10 Addition and subtraction
9.11 Tuning systems
9.12 Just tuning
9.13 Equal tempered tuning
10.1 A 'black box' model of musical instruments
10.2 Stringed instruments
10.3 Wind instruments
10.4 Percussion instruments
10.5 The speaking and singing voice
11.1 What is timbre?
11.2 Acoustics of timbre
11.3 Psychoacoustics of timbre
11.4 The pipe organ as a timbral synthesiser
11.5 Deceiving the ear
12.1 Acoustics of enclosed spaces
12.2 Room modes and standing waves
12.3 Absorption materials
12.4 Diffusion materials
12.5 Sound isolation
12.6 Energy-time considerations